2017 10 << 123456789101112131415161718192021222324252627282930>> 2017 12

FASHION HATS SUPPLIER. FASHION HATS


Fashion Hats Supplier. Graduate Fashion Week



Fashion Hats Supplier





fashion hats supplier






    supplier
  • (Suppliers) A supply chain is a system of organizations, people, technology, activities, information and resources involved in moving a product or service from supplier to customer.

  • One who supplies; a provider. (soccer) Someone who assists (sets up) a goal

  • someone whose business is to supply a particular service or commodity





    fashion
  • make out of components (often in an improvising manner); "She fashioned a tent out of a sheet and a few sticks"

  • Make into a particular or the required form

  • characteristic or habitual practice

  • Use materials to make into

  • manner: how something is done or how it happens; "her dignified manner"; "his rapid manner of talking"; "their nomadic mode of existence"; "in the characteristic New York style"; "a lonely way of life"; "in an abrasive fashion"





    hats
  • A shaped covering for the head worn for warmth, as a fashion item, or as part of a uniform

  • (hat) an informal term for a person's role; "he took off his politician's hat and talked frankly"

  • Used to refer to a particular role or occupation of someone who has more than one

  • (hat) headdress that protects the head from bad weather; has shaped crown and usually a brim

  • (hat) put on or wear a hat; "He was unsuitably hatted"











fashion hats supplier - Cotton Elastic




Cotton Elastic Newsboy Cap-Black


Cotton Elastic Newsboy Cap-Black



Get a great classic look, with more relaxed features in our new Cotton Elastic Newsboy cap. Made from 100% cotton, this breathable black cap is an ideal hat for those ones who want to express Super Mario characters outfit particularly for Halloween. Regardless of how you feel this 8 paneled cap with button top crown, will always give you a fashionable edge. Boasting a plush and roomy 4" deep crown to leave you plenty of space and extra breathing room for your head. Fitted with a 2" long precurved bill, this soft flexible cap also offers an elastic back closure hidden within the caps thin bottom border, encircling the entire base of the cap. A fabulous hat with any outfit you can imagine, and so east transport, this is soon to become one of your favorite accessories. Try one or all in any of our 10 brilliant colors.Made of 100% Cotton. One size fits most with Elastic Band Closure (up to 7 3/8). Crown measures 4 inches Deep, 2 inches Long Bill.8 Panel Crown, PreCurved Bill, Lined inside.Soft Material.Hand Wash only. imported. Available in 10 colors: Yellow, Pink, Orange, Lime, Red, Black, Beige, Brown, Camel and White.










84% (7)





The Shakespeare Prince Street Bristol BS1




The Shakespeare Prince Street Bristol BS1





The Shakespeare - Prince Street ( formerly The Shakespeare Tavern ) In 1700, Bristol was the third richest city and the second largest port in England, with a population of 25,000. It was still basically a medieval city, but by 1700 the need for more houses led to a development in the Marsh area and so Queen Square and Prince Street came to be laid out.

The Corporation however had decided to take great pains to control the speculative builders who rushed in to make their fortunes, and insisted on high standards of planning and craftsmanship. The leases for the new Prince Street, named in honour of Prince George of Denmark, stipulated that, 'all houses designed to be built on the said ground intended to be strong, lasting, uniform and regular.'

It was in 1725 that John Strahan of Bath advertised his services as an architect to the citizens of Bristol and he obtained the patronage of some wealthy and influential merchants who wanted new houses to match their new status. John Hobbs was one such rich timber merchant who commissioned the architect to build him a pair of houses with freestone fronts. Nos. 68 and 70 are these twin houses and with No.66 make the only surviving group to remain in Prince Street.

It is the middle house, No. 68, which is now the Shakespeare. The pediment that crosses the central feature of the house has a baroque armorial cartouche carved with two falcons or ‘hobbies’ (a punning reference to Hobbs) clearly visible to remind us of its origin as a private house.

The Tavern is a Grade 2 listed building in a prominent position in the Queen Square conservation area and has been so thoroughly overhauled recently by Courages that it is now possibly Bristol’s finest public house. The most notable feature in the interior and hall is the fine curved mahogany staircase which was an integral element of the original eighteenth century merchant’s house. It faces the entrance door and is a marvellous introduction to the quality of this inn.

The fittings and fixtures also reflect the period and the close associations of the house with the docks. The house in fact extends back towards the Narrow Quay and a pleasant drinking area has been laid out from which you can still enjoy the excitement of the ships and the docks activity which the original merchants would have found so stimulating as the source of their wealth. All merchants wanted to live near their business and at the same time enjoy their new splendid houses.

The eighteenth century warehouse attached to No. 70 remains and the patio for the Tavern was built on the area occupied by Hobbs’ original warehouse.

The lounge bar has the deal floorboards and panelling of the merchant’s house and the decoration, though new, is a constant reminder of the inn’s association with the sea; signboards from ship’s chandlers, binnacle makers and suppliers hang on the walls along with maps of the Bristol Channel area.

There is no record of when the house ceased to be a private house and became an inn, but by 1775 Sketchley was able to list a Shakespeare Tavern kept by one John Farrall, a victualler and boatkeeper, at No. 22 Prince Street.

The numbering of the houses has altered over the years and by 1861 the inn was No. 26. Today it is No. 68. In the same way the title Hotel, Inn, Tavern or Public House was used indiscriminately in deeds to describe the inn. In the past there was also no prejudice against women landlords. In 1793 the licence was held by Hannah Hopkins but when, in 1849 Robert Ludlam took over from Ann Langford she was unable to sign her name and just made her mark.

It was Hannah Hopkins’ husband John who was a freemason and the Shakespeare had been used as a meeting place for the Beaufort Lodge since 1784. The Masons’ annals say, 'it used to be largely frequented by captains and officers of merchant ships. It was kept very select and no common sailor or dock labourer would have presumed to enter without instructions from his superiors.'

Indeed, Prince Street itself was the centre of fashion in the eighteenth century with prosperous merchants buying most of its attractive houses. The Assembly Rooms were erected in 1755 and the city’s elite flocked to the concerts and balls which were held in this new social centre.

There was a Master of Ceremonies to see that the tone of the Rooms was always high and laid down that, 'ladies shall not be admitted in hats' and 'no children in frocks admitted to dance minuets.'

By 1812, the Assembly Rooms themselves lost cientele to the New Assembly Rooms in Clifton and the building was demolished in 1909. Today the Unicorn Hotel stands on the site.

The three remaining buildings form a good unit. No. 66 was originally built by William Halfpenny for the merchant Noblett Ruddock, but by 1775 we find that he had moved to Montague Street. No. 70 also soon came down in the world as a common lodging house and warehouse. Bristol Corporation has restored it by converting it into flats and this is an ide











Hat lady




Hat lady





Lighting thanks to the suppliers at Focus. Nothing to do with me!









fashion hats supplier







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